3 edition of Introduction to Counterpoint found in the catalog.
Introduction to Counterpoint
Reginald O. Morris
July 23, 1987
by Oxford University Press, USA
Written in English
|The Physical Object|
|Number of Pages||56|
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Introduction to Counterpoint by Reginald O. Morris (Author) out of 5 stars 2 ratings. ISBN ISBN Why is ISBN important. ISBN. This bar-code number lets you verify that you're getting exactly the right version or edition of a book. The digit and digit formats both work.
Cited by: 2. In Tonal Counterpoint for the 21st-Century Musician, Teresa Davidian finally provides students a textbook that is quick, direct, and visual—a direct reflection of the age in which they live. This book is easy to understand, comprehensive, and distinctly modern in its approach to 5/5(5).
Introduction The teaching of counterpoint has a long and illustrious history, but its pedagogy is all too often abstracted from musical reality.
Perhaps more than any other musical discipline, counterpoint has bred ingrown academic traditions whose relevance to musical practice often seems painfully Size: KB. 21 Introduction to Species Counterpoint Kris Shaffer and Mark Gotham. The previous chapter provided a contextual introduction to counterpoint in general, and to species counterpoint in particular as an introduction to this ‘part’ of the Open Music Theory textbook.
We now embark on a series of chapters on the details of Introduction to Counterpoint book Counterpoint. Get this from a library. Introduction to counterpoint.
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CounterPoint SQL is availableFile Size: 6MB. ISBN: OCLC Number: Description: 55,  pages: illustrations, Introduction to Counterpoint book ; 22 cm: Contents: Note against note --Two notes to one --Three, four, six and eight notes to one --Tied notes and suspensions --Suspensions (continued) --Mixed rhythm (or fifth species) --Combination of two parts in fifth species --Three-part counterpoint, notes.
This book was rife with useful examples of counterpoint and the use of dialogue between teacher and student was a very effective way to study the artform. That being said, it's largely up to the reader to thoroughly dissect the examples (which are written in tenor, alto clefs) in order to know what they are discussing in the dialogue/5.
In music, counterpoint is the relationship between voices which are harmonically interdependent yet independent in rhythm and contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the term originates from the Latin punctus contra.
Introduction to Counterpoint Counterpoint has a thousand years of history in music of the European tradition, and one could fill a small library with the many attempts made to codify principles by which melodies can remain independent and yet also combine with others in a meaningful way.
In his own book on counterpoint Walter Piston. Counterpoint: Introduction and First Species By Daniel Nistico Introduction Mozart and Beethoven) studied this book in detail - These laws of counterpoint have followed through up until music of today, though the 20th century saw some huge revolutions in the language of music Species CounterpointFile Size: KB.
Introduction The pedagogy of In short, this book is more about the "why" of counterpoint than the "what". The pedagogy of counterpoint The pedagogy of counterpoint is often a confused mixture of style and method.
Most approaches limit themselves more or less closely to File Size: KB. The counterpoint line. In general, the counterpoint should follow the principles of writing a good cantus firmus discussed in the previous chapter, Introduction to Species Counterpoint.
There are some minor differences, to be discussed below, but generally a first-species counterpoint should consist of two cantus-firmus-quality lines. Find many great new & used options and get the best deals for Introduction to Counterpoint (, Paperback) at the best online prices at eBay.
Free shipping for many products. In this course you’ll learn how to write Baroque and early Classical-style counterpoint from a modern approach. You’ll first understand the elements that go into creating an effective solo melody line, and then add a second part while looking at how the parts combine with each other in terms of melody, rhythm and harmony.
This book is the first in a series of four. The others are: Counterpoint, Orchestration, Harmony. Introduction • Why this book. • Stylistic Assumptions • Forms and Form • Using this book as a textbook • Sources • A final note 2. Basic Notions • Foreground vs. Background • Flow vs. break; continuity vs.
surpriseFile Size: 89KB. Lays out the basic concepts in fugue. They will be discussed in detail in the coming lessons. (Little mistake in the video: the Bach G minor fugue quoted here is from book 1 of the WTC, not book 2. Counterpoint – Introduction & First Species Counterpoint is the art of combining musical lines so that they sound good together and yet retain a certain independence.
It is an extremely valuable skill for a musician to study – historical evidence shows that Haydn, Mozart, and Beethoven allFile Size: KB. Summary 1st species: note against note 2nd species: 2 notes against 1 3rd species: 4 (or 3 notes, in ¾ time) against 1 4th species: note against note, but syncopated (suspensions) 5th species: florid counterpoint (varied rhythms, see below) Note that repeated notes are not used in species counterpoint, with one minor exception in 5th species.
In the 5th species, the rhythms of the File Size: 4MB. This is an introduction to the study of counterpoint as an examination of melody, harmony, and rhythm together. This book is designed to provide you with a solid foundation in counterpoint. Our department’s belief is that counterpoint is something that should be part of our every-day music making.
It is a way to hear music. It is way to understand music. UMass is unique among music programs in that we teach counterpoint in the ﬁrst semesterFile Size: 1MB.Counterpoint is the technique of writing independent melodic lines that work together to create effective music.
This linear perspective has influenced some of the most popular songs and artists in the 20th century, including the music of the Beatles, Beach Boys, Pink Floyd, David Bowie, and many other contemporary artists—even in the.Counterpoint Records & Books is a store which frequently claims high honors on local Best Of lists.
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